In early November 2011, I was fortunate to go on a 10-day trip to Kashmir, a state at the very north of India, that has since been overrun by terrorism and violence.
During our sightseeing tour of Kashmir, our guide, Parvaiz bhai, took us way off the usual tourist route to see some gems of Kashmiri architecture that very few people get to see. One of these was the Martand Sun Temple that lies 8 kilometres (5 miles) from Anantnag.
History Of The Martand Sun Temple In Kashmir
Martand is another Sanskrit name for the Hindu Sun-god, Surya. It was built during the 8th century A.D. by the third ruler of the Karkota Dynasty, Lalitaditya Muktapida, and destroyed by Sultan Sikandar Butshikan in the early 15th century.
Now only the ruins remain to tell the story of this excellent specimen of Kashmiri architecture, blended into the Gandharan, Gupta, Chinese, Roman, Syrian-Byzantine and Greek forms of architecture.
Situated on top of a plateau, one can view the whole of the Kashmir Valley from this temple. The courtyard has a primary shrine in its centre and is surrounded by 84 smaller shrines, incorporating a smaller temple that was previously built.
According to Wikipedia, the primary shrine is located in a centralized structure (the temple proper) that is thought to have had a pyramidal top a common feature of the temples in Kashmir.
A number of wall carvings in the antechamber of the temple proper depict other gods, such as Vishnu, and river goddesses, such as Ganga and Yamuna, in addition to the sun-god Surya.
Many other carvings, like this one depicting a lone musician playing the flute, can be found among them.
In a straight line from the central shrine, was a carving of what looked like a flower, but is more likely the sun.
Strangely, this stone carving is no longer visible in any of the later images of the Martand Sun temple online. Was it destroyed or stolen by vandals? I would really love to know what happened to it.
Another carving that I have not seen anywhere else online is this Shivling (Shiva Lingam depicting Lord Shiva’s male organ) with a reddish, barely discernable Sanskrit ‘Om’ symbol painted on it long ago, that lies forlornly in the lawns of the ruins. Shivlings are worshipped all over India as a sacred Hindu symbol of creation.
There are some more fascinating relics of the ancient civilization that built the temple, like this motif displaying the ancient Śāradā script.
Although the Martand Sun Temple is a site of national importance and appears in the list of centrally protected monuments as Martanda (Sun Temple), these relics of a lost dynasty are lying in ruin today and there seems to be no motivation to restore them.
When we went, there was no security guarding the ruins. We could just walk in and out without anyone stopping us. I guess that’s why it’s so easy to vandalise these ancient sites.
I imagine that, with all the unrest in Kashmir, the Archaeological Survey of India can’t do much to preserve these ruins. However, they were recently in the news recently for a much more undesirable reason.
The Martand Sun temple was used as the backdrop for the song Bismil from the Bollywood movie, Haider, in which it was controversially shown as a place of evil. You can watch the video below.
As a lover of ancient ruins and architecture, I considered myself lucky to get a glimpse of this striking example of Kashmiri architecture in 2011, at a time when the Kashmir valley was still relatively peaceful and tourism was flourishing.
How To Reach The Martand Sun Temple?
Watch the video below for more photos of our visit to Kashmir’s Martand Sun Temple.
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